planning a cardi when you have to combine yarns

At the Spinners’ Weekend I was given this handspun Blue Texel. It’s from the same batch that I’m still busy spinning mine. The person who had spun this did not enjoy knitting with it and gave it to me as a present. Wow!

 pic by Moonwise

It’s 575 meters in aran weight. A beautiful round yarn which will have great stitch definition.
We both think that 575 meters is not enough for a cardigan or pullover.

I think it will combine well with the Shetland I spun in five natural colours. Remember how I spend a whole day and a whole post on what I could do with those five little skeins?

These two yarns go so well together:

I’ve positioned all the skeins at the end of the table so they’re in my view all day. I added the green Gjestal garn that’s left from my legwarmers. Perhaps as an accent? And to provide some extra meters should I run short?

To hone in on the garment I want to make I’ve browsed through the Ravelry database, to sharpen my preferences. I made a bundle collecting patterns and projects that might bring me something. A certain way of constructing; or where to place the patches of colour; or how to combine colours.

This is my bundle for adding colours to a cardigan.

After studying my bundle these are the things I want in this cardigan. The design-parameters:

  • no stranding or Fair Isle. I need the meters.
  • no colours in the yoke. I like to frame my face with a shawl or hat, not with a yoke.
  • recurrence of the colour detail in the sleeve cuffs would be funny
  • a cardigan, rather than pullover, it gets more use
  • I prefer the front in solid grey so the colours go at the back (but not growing from a centre stitch/ bulls’ eye). Or shall I do colours at the waste, perhaps as a sideways knit band?
  • stripes or mittered squares or slipped stitches are possible. Stripes could have lace to make waves. Can make zig zags with stripes, either by slipping stitches or by chevron knitting.
  • no double decrease stitches, that is too bulky.
  • modular knitting is great because then I don’t need to make a (lying) swatch. (pick up 3 stitches for every 4 rows.)
  • the handspun blue Texel ought to be in stockinette stitch, not in garter stitch, it’s so beautiful
  • needle 4,5 mm, just like my Donegal cardi’s (which I should probably finish first, to free up that needle)

After mulling this over a bit I think I’ll start with a multi colour panel at the mid back. Bottom up (not sideways. Nor without shoulder seams, that Wintertrui 2014 cardigan is a bit shapeless when I wear it.)

I found a technique that makes zig zaggy patterns without stranding. Or does it?

This is a little study I made.

It’s based on this sweater pattern I found, The Great Missowski by Julia Trice:

 pic and cardi by Glennea

This is the back, there IS a little stranding:

Technically it’s just slipped stitches but it takes up yarn just as much as stranding would, making a kind of double knit fabric. O well, it’s ok I guess. It’s not much.

Also unavoidable immediate cat attention.

In the study I played around with how much rows to stack of each colour; how to make that lowest stitch dip deep enough (I tried slipped stitches but also knitting a stitch and then knitting it again straight away. With or without knitting through the back. Those try outs are at the top of the piece, near the red pencil. I don’t think twisted stitched are called for here:

In the beginning I had difficulty keeping check of where I was in the pattern, at which column of stitches. I hopped repeats at about the blue pencil, unintentionally creating diamonds instead of zig zags.

Good to know. Should I ever want to knit diamonds with a slipped stitch technique.

I think I’m ready to start the back panel now. I am very grateful to Moonwise for giving me the yarn, it inspired me to design and knit this straight away. As a little thank you gesture I gave her some of my handdyed reed cotton fabric, with pounded Indigo leaves.

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